The Beast Within

    By Curtis

    The Beast Within cover image

    04 Apr, 2024

    three men walking down a path in the mountains at night with a full moon in the background and a mountain range in the distance, sots art, concept art, Brothers Hildebrandt, key art

    It was a dark night on the island. Edward, a lone figure, slid down the mountain towards the camp. In the moonlight, he spotted two identical figures guarding the entrance.

    two men standing next to each other in front of a street light at night with a light on and a lamp on, les nabis, a photocopy, Andries Both, symmetrical facial features

    The twins, Sawyer and Earl, were imposing figures. They offered Edward food but declined to join him in his planned escape. Their words sent a chill down Edward's spine.

    a man in a jungle with a lot of other men in the background and a monkey in the foreground, sumatraism, a detailed matte painting, Cedric Seaut (Keos Masons), weta digital

    Mark, the tribe's tormentor, had set a cruel plan in motion. Edward was to be hunted down, his head displayed as a trophy to an imaginary beast.

    a man with a bald head and tattoos in the woods with trees behind him and a chain around his neck, fantasy art, a cave painting, Dirk Crabeth, epic fantasy character art

    His ally Corby, even more sadistic than Mark, was to carry out the gruesome task. Edward's heart pounded as he retreated into a thicket, his only sanctuary for the night.

    two young boys standing in the woods with blood on their faces and one boy with a knife in his hand, photorealism, a poster, Dirk Crabeth, promotional image

    As dawn broke, Edward awoke to the horrifying sounds of one of the twins being tortured by Mark. It was clear they were hunting for him, the fear was palpable.

    a young boy dressed in armor in a forest with moss growing on the ground and trees in the background, antipodeans, a detailed matte painting, Cliff Childs, promotional image

    The boys in their tribal paint and makeshift armor were a terrifying sight. They charged at the thicket with a boulder, but the dense vegetation refused to yield. Edward watched them from his hiding spot, his heart pounding against his chest as he clutched a sharpened stick in his hand.

    a boy in a forest with a bunch of boys holding weapons and walking in front of him with other boys, primitivism, a detailed matte painting, Diego Gisbert Llorens, movie still

    Unfazed, the boys regrouped and attempted to force their way into the thicket. Edward fought back with all his might, his stick proving to be a handy weapon. He jabbed and swung, keeping the boys at bay and preventing them from discovering his hiding spot.

    a man standing in the woods with a fire in his hand and a forest in the background with trees and bushes, primitivism, a character portrait, Erik Pevernagie, promotional image

    Suddenly, Edward smelled smoke. His heart sank as he realized that Mark had set the jungle on fire to smoke him out. He could hear the crackling of the flames and the excited shouts of the boys. He had to abandon his hiding place and make a run for it.

    a man with a sword in a jungle with other men in the background and a fire in his face, fantasy art, a detailed matte painting, Dirk Crabeth, magic the gathering artwork

    Edward darted out of the thicket, pushing past Mark and his hunters. He sprinted through the burning jungle, pursued by the warrior-boys who were intent on capturing him. Every rustle in the undergrowth, every snap of a twig made his heart leap with fear.

    a man in a military uniform standing on a beach next to the ocean with other men in uniform behind him, aestheticism, a poster, Edward Clark, promotional image

    Exhausted and out of breath, Edward stumbled onto the beach. He collapsed on the sand, his pursuers closing in on him. Just when he thought it was the end, he saw a figure standing over him. A naval officer, his uniform crisp and white in contrast to the chaos behind Edward.

    three boys in police uniforms standing on a street corner with a police officer in the background and a police officer in the foreground, excessivism, a stock photo, Colin Middleton, vfx

    The boys halted in their tracks at the sight of the officer. The officer questioned them, his tone stern and reproachful. He couldn't believe that these boys, these English boys, could have descended into such savagery.

    a group of young boys standing on top of a beach next to the ocean with a surfboard in hand, antipodeans, a renaissance painting, Caspar Wolf, promotional image

    The officer’s words hit Edward hard. Tears welled up in his eyes as he realized the extent of their loss of innocence. He began to sob, his tears falling freely down his cheeks. The boys too broke down, their sobs echoing across the deserted beach.

    a young boy with a bloody face and a hoodie on in the woods with trees and rocks in the background, photorealism, a detailed matte painting, Diego Gisbert Llorens, weta digital

    The sight of the weeping boys brought the reality of their situation crashing down on them. They had allowed fear and savagery to rule them, to turn them into beasts. They had become the very thing they feared. The realization was a bitter pill to swallow.

    two men standing in front of a forest filled with fire and logs with trees in the background and a fire burning in the distance, neo-primitivism, a photo, Alexander Brook, promotional image

    The tears continued to fall, a poignant reminder of their lost innocence. As the fire in the jungle died down and the echoes of their sobs faded away, a heavy silence fell over the island. A chapter of their lives had ended, and a new one was about to begin.